Bruce Banner (
spit_it_out) wrote2012-11-08 08:52 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
(no subject)
Bruce tends to go to bed early, and wake up at dawn. It's just another bullet in the arsenal he builds against the Other Guy on a daily basis - which isn't to say he sleeps well. And these last few years, it's been worse at Christmas. Everything's worse at Christmas.
So it's not a surprise to wake up just a few hours after dropping off.
It is a surprise to find he's not alone in the room.
Deep breaths.
'Hello?'
So it's not a surprise to wake up just a few hours after dropping off.
It is a surprise to find he's not alone in the room.
Deep breaths.
'Hello?'
no subject
"Shall we?" she asks, but it's a pro forma sort of question.
She's still walking.
no subject
But there's not a chance in hell he's going through that door. He's not sure that he can.
So he slows as they get closer, and comes to a halt a few feet away.
'OK. I know how this goes. I remember this. Can we go, now?'
no subject
"You know who I am. You know how this works."
And he's going through that door.
Because she's taking him through that door.
no subject
And anyone watching might wonder about his trepidation. It's just a kid's bedroom. There's a huge poster of the solar system all across one wall. The carpet is blue, just like the paintwork, only a slightly deeper hue. A desk with a microscope on it, and lots of pens and paper. A few bookshelves, stuffed with texts you'd normally associate with someone a hell of a lot older than the boy on the bed. He looks about four.
'End-o-ther-mic re-ac-tions,' he spells out, and the dark haired woman with her arm around him laughs, and kisses the top of his head.
'Only you would choose this as a bedtime story, sweetie. You sure you don't want me to read it?'
Bruce watches himself shake his head, and cuddle in closer to his mother's side. 'I can do it,' the boy says, and the older version folds his arms across his midsection, and looks away.
'I know you can.' Seeing it from this angle for the first time, the older Bruce doesn't miss the tears that come to her eyes.
He turns to the Ghost, looking both faintly distressed, and faintly embarrassed. The heart-rate monitor beeps again as it hits 150.
'Can we go now? Nothing else is going to happen.'
Not that he remembers. He's sure.
Positive.
no subject
"Let's give it another minute."
no subject
His lips press together and he nods once, before pretending to refocus on the scene. He wants to get out of here. But he doesn't every time get what he wants.
'Mom?'
'Yes, sweetie?'
'Will you tell Santa I'm sorry? If you see him.'
'What do you mean?'
'Daddy said I was bad. And I know I won't see him, but if he comes when you're awake, will you tell him for me?'
'Bruce, I-'
Rebecca stops short, and she turns to look at the door. So do both Bruces. The front door has slammed shut somewhere below, and heavy, uneven footsteps can be heard on the hall floor.
The heart-rate monitor beeps. 160.
'Rebecca!?'
Footsteps on the stairs. A stumble, a curse. Bruce turns to look at his own young face, eyes wide, fingers turned white from gripping his mother's shirt so hard.
170.
Footsteps in the hall.
But then the light starts to grow dim. Bruce frowns, and shakes his head. He doesn't...no. He doesn't remember anything else. Does he? He thought that was it.
And if there's more, he doesn't want to see it. The numbers on his wrist are rising, and he backs out of the space where the door was a minute ago, just as the monitor beeps 180.
The hallway again. It's empty.
no subject
It's a moment before she speaks.
"Not exactly hoof beats on rooftops for you, was it?"
no subject
But then she says that, and annoyance sparks in his chest.
'You're the ghost of Christmas Past. I know how this goes, remember? You can't change anything. And I don't need to see stuff I never forgot in the first place.'
He's sure that was all of it. But when he tries to remember what came next - his mother kissing him goodnight maybe, or putting the book away, or whether there were presents in the morning - there's nothing.
'I'd like to go now, please.'
no subject
"Well, let me tell you something. If you are seeing something in my company, it is something that you need to see.
"That's how it goes."
She reaches out and closes her hand around his wrist again, and in the space of a blink of an eye, they're back in Milliways.
"Try to keep an open mind, Dr. Banner, when you meet my siblings. You just might learn something."
She's fading now. They never stay long, once their jobs are done.
"We're good at what we do. And you're not exactly the first case we've taken on.
"Merry Christmas."
And then she's gone.
no subject
Something he needed to see? Not the incident itself, which he always knew. But the blackness after - he's not sure what that meant. He's pretty sure he doesn't want to know.
A glass of water later, he takes a seat. Maybe he doesn't know exactly how it goes, then. But he does know who comes next.
no subject
It is a Christmas tradition, after all.
"You look like you could use some sugar, Sugar," says the Ghost of Christmas Present.
The voice is kindly, if rather no-nonsense.
no subject
After a moment, he sighs, and his shoulders relax a touch.
'Thank you.'
no subject
The Ghost sets the plate and glass on the nearest convenient surface, and her form wavers and shifts.
"We have places to be, anyway," the Ghost adds, checking the knot in his tie and adjusting his hat to a slightly more dapper angle.
He gives Bruce a quick once over as if he wants to ask, You're not going to wear that, are you? But in the end it makes little matter, and even Christmas Eve Night doesn't last forever.
"Are you ready to get this show on the road?"
no subject
'Why do you all keep changing form?'
no subject
Plus, when you get right down to it, that green bathrobe that comes standard does no one any favors.
In a blink the Ghost has changed again. Smiling graciously, she holds out her arm.
"Now, if we were being proper, it would be you offering your arm to me," she says.
"But, good sir, I trust you will not think me improper if I ask you to take hold of me?"
no subject
'Lay on, MacDuff.'
The monitor beeps. 130. He takes a deep breath, and lets it out slow.
'You can't be physically hurt, right?'
no subject
Not that the Ghost is in the business of damning.
"I'm perfectly safe," he assures Bruce.
"Besides," the Ghost adds, "if you think what's in you is frightening, you should see what I keep under my robes."
Ignorance and Want are all the more terrifying because they can creep up beside a person so stealthily.
no subject
The sarcasm reflex is reassuring. He always used to tend towards it, and it's nice to know he hasn't forgotten how.
Also nice to know he can't damage a fictional construct, though he suspects Milliways will be the place to suffer if he turns. And he really doesn't want that.
'Can we get it over with?'
no subject
The Ghost begins to walk, leading him along. And somehow, they aren't in Milliways anymore.
"See anything you recognize?" the Ghost asks.
no subject
'...actually, no.'
They're in a bar. A dive bar, even. There's some quiet background music from the jukebox, and a fair few people milling around. A pool table, a dart board. All fairly standard, as he understands it. He never spent a lot of time in places like this, even in college, though he's not completely unfamiliar with the environment.
'I don't get it. Aren't I supposed to see a place I-'
The words dry up in his mouth. There's a guy sitting with his back to them, a little way up. While he can't see his face, he'd recognise the grey hair, and uniform, anywhere.
'...really?'
He glances towards the ghost.
'I can't talk to anyone, can I?'
no subject
She helps herself to a pretzel from a nearby bowl.
"What would you say?"
no subject
There's nothing really left to say to that guy. Though in the wake of the fiasco in Harlem, it might be interesting to see if anything has changed.
'Reload,' says General Ross, and Bruce rolls his eyes. The man's clearly drunk already, and the smoke from his cigar almost obscures his face.
The door opens.
Bruce squints to make out the figure framed in the sunlight streaming through the door. When the man walks in, his jaw drops a little. Why is he seeing this?'
'Mmm. The smell of stale beer, and defeat. You know, I hate to say 'I told you so', General, but that super soldier program was put on ice for a reason.' The man - shorter than he looks on TV - leans comfortably against the bar. Bruce blinks, and frowns, but Tony Stark isn't finished. 'I've always felt that hardware was much more reliable.'
'Stark.' General Ross turns, squinting through the alcohol.
'General.'
'You always wear such nice suits.'
'Touche.
...I hear you have an unusual problem.'
'Thunderbolt' Ross manages to pull an sarcastically incredulous face. 'You should talk.'
'You should listen.' And the man leans in. So that's what you have to do to get through that thick skull? Be Tony Stark? 'What if I told you we were putting a team together?'
'Who's we?'
Stark says nothing. Just clears his throat, and looks at the General like he should have known better than to ask. Bruce stares at them, and then at the ghost, and then back. His brain is already working overtime.
Selvig talked about SHIELD, back at the bar. He knows the General was involved with them, and Betty told him about all their questions. So Stark - well, with his background, it's not surprising.
A few conversations from Milliways swirl in his brain. He's picked up comments about a team, though on different worlds to his. But from where he stands, it doesn't make any sense.
'If I'm here, does it mean they're talking about me?' he asks, in the general direction of the ghost. 'Because the 'problem' could be someone else.'
no subject
There's enough to see without popping in on irrelevant conversations.
"Do you think of yourself as a problem?" she asks, curiously.
no subject
'Are you kidding me?'
Uh, duh.
no subject
How the best can believe the worst, and the worst the best.
"Did you want to get closer?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)